Stephenson 86
Paul Stephenson
CUT FLOWERS
You know daffodils?
Well if you came up to us in a bar
and asked if we were together
and I happened to be holding
a bunch of daffodils
I’d say, kind of, but not really,
not in the traditional sense
of daffodils, not as in a bunch
held tight with an elastic band
so they don’t fall apart
but bunched nonetheless
in a way that two or more
daffodils in springtime
complement each other,
create a certain yellow effect.
Nocturne
I like to watch you sleep when you’re asleep
and I’m not sleeping and maybe I watch you
sleeping when I’m asleep too there besides you
in my dreams I mean me and you sleeping
Sometimes I think you only sleep to be watched sleeping
that I only stay over at yours so I can watch you
me pretending to sleep to be asleep but not sleeping
the whole night awake watching your sleeping going on
(when the sun comes up does the night doze off?
does the night lay awake? is the night good at sleeping?)
On your back I watch your left eye closed tight
watch your mouth your saliva foaming
bubbles on your lips which is when I love you
my rabid little dog who one day will snap awake and bite me
Paul Stephenson’s debut collection Hard Drive (Carcanet, 2023) was shortlisted for the Lambda Literary Award and Polari Book Prize. He recently co-edited the ‘Ownership’ (92) issue of Magma.
Paul wrote this about these poems:
Both poems explore togetherness and a relationship. In poetry, daffodils belong to Wordsworth so it’s a challenge to write a poem that features them but here with ‘Cut Flowers’ the plain-speaking poem brings them to a contemporary urban setting. ‘Nocturne’ explores love, the intimacy and vulnerability of nighttime and the sharing of a bed, as well as the tension between quiet stasis and surprise behaviour/drama, the unknowing.